001 — musician · researcher · educator
Pat
Carroll
technologically mediated creativity.
∅
Pat
∅
music
§ 01| cat. | title | year |
|---|---|---|
| record | Time Vials: Part 4 | 2026 |
| record | Time Vials: Part 3 | 2026 |
| record | Time Vials: Part 2 | 2025 |
| record | Time Vials: Part 1 | 2025 |
| record | To Dream of Substance | 2024 |
| record | Plight | 2024 |
| record | Is Yours, Is Mine | 2023 |
| record | Earthsea (as Bounty Hill) | 2023 |
writing
§ 02| date | title | tag |
|---|---|---|
| 2026-05-12 | Using AI to Build Tools to make Art, Rather than Art Itself | Blog |
| 2026-04-28 | New paper: ‘Distributed Authorship in Technologically Mediated Creativity’ | Blog |
| 2026-02-09 | Stages of the Creative Process | Blog |
| 2026-02-08 | Storytelling in song, research, listening and everywhere else | Blog |
| 2026-01-12 | Time Vials: Part 3 is coming out this Friday! | Blog |
| 2025-12-24 | Reflecting on What I Read in 2025; Specialisation vs. Generalisation in Learning | Blog |
| 2025-11-27 | Building Alien Structures in The Grid | Blog |
| 2025-11-26 | Thoughts on “Raft” — Stephen Baxter | Blog |
| 2025-11-13 | The Spectrum of Authorship | Blog |
| 2025-11-07 | The Desire for Ownership in Creative Work | Blog |
tools
§ 03
name
description
markdown-converter
Simple tool for turning markdown into formatted rich text that can be pasted into apps like Scrivener or Notes.
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about
§ 04
Pat Carroll is a composer, producer, researcher and educator with a background in electroacoustic music composition. With a PhD in electroacoustic composition from the Sydney Conservatorium of Music, his composition work is deeply rooted in musical drama: the quiet, intricate textures that swell into overwhelming intensity. His work sits at the intersection of a range of electronic music styles such as electronica and ambient, informed by the precision and expression of classical music, and the experimentalism of art music traditions.
He is researching the impacts of technology on creativity, culture and the creative industries. In the past, he has lectured in Electroacoustic Composition at the Sydney Conservatorium of Music. Currently, he teaches Composition, Production, and Media and Cultural Studies at SAE Institute, Sydney.
| active | 2018 — present |
| works in | music · writing · theory |